| Clay,
Silt, Soil and Mud When I first started collecting
sand back in November 2006, my original idea was to limit
my collecting to
sand, sand and nothing else but sand. However, it did not take me long to
discover that there was a plentiful supply of similar and equally
interesting sand-like materials available for collecting as well,
namely clay, silt, soil and even mud. This discovery came about during a
number of visits to local sand and gravel pits, and also to some glacial till
exposures at the coast, where fresh
exposures into the surrounding deposits revealed layer upon
layer of different coloured bands consisting of alternating
soils, sands, silts and colourful clays. It did not take for me long to
decide that these would also form part of my so-called
"sand collection" despite they not being sand in
the proper sense. At many sites I've visited, particularly
where a river or the sea has cut its way into an older
glacial landscape, bands of clay and silt are often
plentiful with a wide range of colours equalling those of the
sand and sandstone I've also collected. All shades of yellow,
orange, red and brown are
common with the occasional greys, greens and even black popping up
when least expected. Such clays are usually wet and very,
very sticky, often needing a bit of work with the trowel to free
up a decent clean sample. They also need to be dried out, crushed
and sieved before storage and display. By not restricting
your collecting to simply sand, you are then able to collect
from a much wider range of habitats and locations,
particularly places where water erosion has taken place, for
example, low-lying areas of arable land after heavy rains.
Indeed once you become more familiar with where to find such
locations, you will more than not, also come across sand as
well. The processing of clays and silt is much the same as
sand. The one difference is that clays can often be
rock hard after drying and need to be crushed. The best way to do
this is to place the sample inside a heavy gauge polythene bag and
carefully smash
with a hammer, followed by sieving to remove the larger
particles. I find that an old tea-strainer or flour sieve is ideal. The
resulting sample is often a very fine powder which can be
difficult to pour into your display container. Wearing a
dust mask is recommended. My own "sand"
collection is intermixed with samples of clay, soil, mud and
silts as
well as numerous samples of crushed sandstone and other
similar sedimentary rocks such a coal, shale and chalk. I would estimate that
approximately one quarter of my collection consists of
these materials. Purists might suggest that this is not true
sand-collecting but the resulting range of colours and
textures is quite outstanding and well worth the effort. |